Purple, The Most European of Colors

Increasing I find that while I’m happy to get up for the sunrise, I’m often less than pleased with the results. The vibrant colors that come with the early morning sunrise are increasing dissatisfying. While I can’t quite put my finger on why, purple bugs me the most. While I deal with my issues with purple, the most ‘European’ of colors, I’m trying out many of my images in black and white to see whether they can stand up on there own. I’m not totally sold on this solution but I’d be interested in your opinion of the black and white image above with the color ‘before’ image below.

Happy Accidents & Other Surprises


Were getting to the time of year when people review the year just gone and plan for the year ahead. I guess I’m doing the same, although I will leave the ‘my 12 best images’ post to others.

It’s interesting to look back over the last year and see what images I consider to be my best how these compare to last years work and how they relate to one another. I started the year with the intention of making a set of color images of the coast on clear mornings. This idea began to evolve during the course of the year as I made a number of images during foggy conditions, trying to make the most of my time photographing. Even with a clear plan of what you want to achieve, being flexible enough to respond to the situations you find yourself in, can lead you in directions you hadn’t expected. Perhaps for you, as has been the case for me, these photographs will be standouts and serve as jumping off points for new projects.

There's Only Light

‘There’s no such thing as bad light, only light that’s inappropriate for the subject you’re shooting’.

Increasingly I’ve found that I limit my photography to the edges of the day. That’s not necessarily a bad thing but it is restrictive. Choosing the margins of the day for photography is largely because I have yet to figure out how to get the kind of pictures that I like in full sunlight without carrying around diffusers and other bits of gear. This doesn’t stop me from carrying a camera though. I’m particularly interested in what light works for what subjects.

I was pleasantly surprised that the reflections that I caught above we’re taken at noon on a bright sunny day. Something to store away for future reference. Naturally I’ll be back at this harbor, and others, on bright days looking for more of these reflections.

Rules are Made to Be Broken

I carry a camera around with me all the time, whether it is my iPhone, pocket digital – canon G10, or a DLSR. The more I look for images the more I find and with tools to capture them easily to hand the more likely I am to stop and try something. When I’m with others this is met with reactions that range from curiosity regarding what I’m seeing, tolerance for the tourist to outright disdain. Disdain, perhaps because I’m supposed to be paying attention to something else or that I’m not following expected norms of behavior. Breaking the rules, the photographic rules that is, is something that I’ve been thinking about recently. Something that has been encouraged by the photographs I’ve been taking with my iPhone. As a beginning photographer, you’re told shoot on a tripod, if you’re hand-holding then use a shutter speed of at least 1/focal length. I certainly have been interested until very recently in making photographs that are a sharp representation of life in front of the lens. When I was out walking this past weekend I was surprised at how low the light was even though it was the middle of the day. In order to achieve a shutter speed that would allow for a sharp image I had to be at a wide open aperture and iso 800. Which made me wonder what if I pushed in the other direction what would that look like. I played until I got a shutter speed of 2 secs and then looked to see what I could do. It was a fun exercise and one that I’m likely to repeat in the future. The image that I liked the best from the set is the one above. It really gives me the sense of water rushing by. What do you think? Any other fun exercises to keep things interesting?

Down The Tube Station at Midnight

20111115-221659.jpgI spend a lot of time traveling around Boston using the underground system which is locally referred to as ‘The T’. Even though I’d traveled around for years on the T it was only since my obsession with grungy iPhone photos kicked in that it occurred to me that there were some potential images to be made while waiting for the train. Initially I considered these to be sketches of what I might be able to do with my ‘real’ camera. Even so I quite like what I’ve been able to do so far and will continue to push the idea forward.

Contrast Masks: An Initial Foray

The more I photograph the more I become aware of what I want to achieve with a particular photograph. Often when a photograph fails to wow me it’s not because I didn’t get the composition right but rather it is because it doesn’t leap of the page in the way that I think it should. My big struggle has been that I couldn’t quite put my finger on what the problem is it not sharp enough, not saturated enough not enough contrast. What?

I’ve never been much of a student of history but I do enjoy understanding how other people work and what tools they use. Watching the Christopher Burkett video I posted recently there was the mention of his use of contrast masks and the impact these have on his images. So why not give that a go?

Using ‘The Google’ I found this tutorial on the use of digital contrast masks on the luminous landscape website. Just following the tutorial as described I was able to take the image from last week from this:

to this:

Which with some final tweaks becomes this:


What do you think? Seems like an improvement to me.

If something’s worth doing it’s worth doing to excess. I’ve subsequently tried this technique out on 20 or so images with varying degrees of success. The contrast mask, not too surprisingly, reduces contrast which may not be the appropriate fix for all of my images. I’m starting to have a sense of where this technique will work for my photographs, generally for images that I take within 10 – 15 mins of sunrise and will try this out before I do any heavy lifting in photoshop. Try it out for yourself and let me know how things turn out.

Back in the Saddle

After my moment of angst, self-doubt, call it what you will I was back at the beach again recently. I don’t think that I’ve ever managed to be at the beach at exactly the same point in the tide’s cycle and so I’m always surprised by what i find. On this morning there were sand bars that meant the incoming tide would be deep and then very thin giving rise to some interesting contrasts in texture of the water at the shutter speed that I was using. I’ll be back for more.

Fall Color Lomography

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As I mentioned earlier in the week, my attempts to head north for some fall foliage photography this year have been thwarted. Instead I’m making the most of the local color using both my regular DSLR and the iPhone. I am working up a set of iPhone photographs made using the lomography workflow I described in a previous post. I’m not sure where I’m going to go with the project but I’m having fun and starting to develop an idea about how the photos should look rather than relying on what the presets give me. Often this means that I’ll initially process the image and then as I live with the original processed image for a while I’ll find things that I want to change. This was certainly true of the image above that was taken just in front of my house. This image is now into the third iteration of edits. I’m finally liking it as it is, although digital editing means that it is way to easy to go back and tinker some more.

Where Do You Turn for Fall Color?

It’s almost peak fall color here in Massachusetts. I had grand intentions this year of talking some trips North to Vermont this year but I have missed my window of opportunity to do that. There are a number of websites that will either give you a prediction of the color or that use a network of spotters to give a more accurate representation of what the current status is. Of course if you live in New England like I am fortunate enough to do then these websites are useful, not so much if you booked your trip a year in an advance.

Okay so where to go? Not sure how you prepare for trips to new locations but I usually will use a combination of on-line searching with digging through books and if I can get some local knowledge so much the better. Jerry and Macy Monkman put together a book a few years ago called ‘The Colors of Fall: A Celebration of New England’s Foliage Season‘ that I quite enjoyed. They then followed that up with ‘The Colors of Fall Road Trip Guide’ which gives you a range potential New England trips, from ones that might be familiar such as the Park Loop Road in Acadia National Park to what might be less expected such as Rhode Island Beaches and Mansions.  While the book highlights good vantage points for leaf peeping it’s not specifically targeted towards photographers.

Countryman press have a range of books for the photographer that I’ve mentioned here before and that I’ve found generally useful.  The Photographer’s Guide to Vermont and The Photographer’s Guide to the Maine Coast both by David Middleton are good resources when planning trips at anytime of the year to either Maine or Vermont but especially during fall.

While it looks like I’ve missed my opportunity to travel north this fall I’m making the most of the color nearer to home.

iPhone Fun on the Farm

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How many times have you seen something that you’ve thought would make a great photograph but you’ve kept going, thinking that you’ll get it on the way back or tomorrow or the next time your in town? If you’re like me you’ve done this dozens of times. I’m always rushing from one place to another so much so that there’s little time for those scenes that you just happen upon. The photograph above is one example of such an image. I’ve driven by this tractor on a weekly basis for over 7 years, it’s on the way to the local coffee shop, but it wasn’t until this week that I actually stopped and took the photograph. I was pleased that I did. I got a photo that I was happy with and got to meet Chrissie Dahlstrom. To see Chrissie’s version of her tractor click here.