Friday Inspiration: Joni Sternbach

When I first came across Joni Sternbach‘s photographs over on Chris Orwig’s site I was amazed that the photographs were ‘modern’ because they look like they were from a century ago. While I listened to the interview that Joni did with Chris Orwig it didn’t really resonate with me how much effort goes into making these images. The tintype photographs that Joni is producing really were the ‘instant photographs’ of the day back in 1850. These images are developed on site in a portable darkroom. It really is quite remarkable when you consider the hostile environment that Joni is working in. Check out the video for more.

Joni Sternbach – Photographer from ArtPark on Vimeo.

Are you on the Okay Plateau?

I am curious about how people learn, particularly why some people excel and whether they have an innate talent or is there something that they do that pushes them achieve more.

I was intrigued when I came across the video below from Joshua Foer in which he describes what he refers to as the ‘the okay plateau’ and suggests that avoiding this plateau is essential if you are to reach a level of mastery.

What is the okay plateau?

Foer describes the model developed by Paul Fitts and Michael that describes three phases of learning:

Cognitive – Identification and learning of the component parts of the skill being learned
Associative – practicing the skill and using feedback to improve performance
Autonomous – skill is developed and becomes second nature.

Once you reach the autonomous phase you run the risk of feeling that you are good enough, slowing any further improvement.

With photography it’s quite easy to reach the autonomous phase, to become fluent enough with the technical aspects of photography to make competent photographs. To move beyond this stage to make great photographs involves staying in the associative phase for as long as possible.

So how do you keep in the associative phase?

Engage deeply – spend time really looking at the images that you make, what you were trying to make and figure out how to close the gap. Spend time reviewing the work of the masters to make sure that you are familiar with the history of your field. Find a circle of trusted advisors that will give you sound feedback and push you further.

I’m coming to realize that while I may create my photographs alone being part of a community is important to keep me moving forward. If you don’t have a circle of friends to give you feedback how will you build one? I’d be interested in hearing you thoughts.

Friday Inspiration: Danny Gregory – An Illustrated Life

Danny Gregory’s book ‘An Illustrated Life‘ arrived this week.  This is part of my continuing exploration of how visual artists engage with their chosen medium on a daily basis.   Keeping a visual journal seems to be a common way to keep the energy up and to stay creative.  ‘An Illustrated Life‘ is not a new book, rather it was published in 2008, is a collection of example pages of the journals of 50 illustrators, artists, and designers with a short introduction from each.  After a quick flip through, I’m part of the way through it in more detail – it’s going to be something that I’m going to enjoy dipping into on a regular basis over the next few weeks.  A video for the book is below.

Danny’s other books are well worth checking out as is his website, where you can find examples of his journals.