Photography – Page 7 – Andrew Nixon Photography

July 30, 2014

Goal Setting, or Not – You choose

One of my friends recently recommended that I read ‘The Antidote: Happiness for people who can’t stand positive thinking‘. It’s an interesting read and Burkeman certainly takes a contrarian stand that he also pursues in his weekly columns for the Guardian.

My reaction to the book as I was reading it was that I didn’t realize that I was supposed to be striving to be happy. I’ve been very focused on ensuring that I’m doing things that I want to do, that are engaging and ultimately fun, rather than trying to be happy.

One of the major threads in the book is that goal setting doesn’t work and in fact worse than that, goals can lead people, teams and companies over the cliff like the mariners of old chasing the sirens call. Since I’ve been steeped in a goal setting environment almost since birth the notion of throwing goals out of the window strikes me as a little odd. How does anything get done without someone with the drive towards achievement? Without a sense of what they want to change and going out and making that change happen? I’d love to hear your thoughts on this.

To me the issue with goals is not the process of setting goals, or even breaking big goals into smaller achievable actions but rather the goals aren’t revisited and revised. ‘No plan survives first contact with the enemy’ and this is the issue with much of corporate goal setting. A lack of flexibility to adapt to changing circumstances.

Most people by now I would expect to have some across the SMART acronym:

Specific
Measureable
Achievable
Realistic
Time bounded

The difficulty with this approach is that the bigger the goal, and the longer the event horizon the more uncertainly there is in our ability to decide whether the goal is achievable, realistic, and what the likely timing is. It is these factors that need to be revisited on a regular basis and reviewed and updated as more information comes in.

Overlaid on this is the need to make sure that goals as originally envisioned are aligned with your purpose and that this alignment is also reviewed regularly to ensure that this is a goal that you still wish to pursue.

Perhaps a good case in point would be my goal to have a book of my photography out by the end of the year. This aligns with my overall purpose that boils down to ‘make things and get them out into the world’. It’s SMART(ish) and yet with additional thought and reflection I realize that the timing is probably off – it will most likely take 12 months, that it’s not a project that I could complete on my own but will need to engage at least a book designer to help and so will need to be revised, most likely to ‘Release a book of my photographs before the end of 2015’ with many subgoals along the way. ‘Identify and engage a book designer by the end of Q3 2014’ for instance, ‘decide on preliminary cut of photographs for inclusion into book Q4 2014’ and on and on. Each of these of course will also have sub-goals and will be further scrutinized to ensure a high likelihood of success.

Are you a goal setter? What works for you? How do you keep projects on track and moving forward? Please share your best practices in the comments.

July 28, 2014

A Travel Photographer or A Photographer Who Travels

I’ve been watching David (the Strobist) Hobby‘s video series ‘The Traveling Photographer‘ on lynda.com over the last few weeks. I’d resisted lynda.com for a very long time for no reason that I can put my finger but given the number of courses available (check out David Hobby’s other courses here) that I wanted to check out I finally took the plunge.

Watching David Hobby’s series I had a couple of thoughts. First I hadn’t put him in the travel photography camp, perhaps I should have?, and second I had a visceral reaction to the thought of ‘travel photography’ as a genre. It was an odd reaction and perhaps I was thinking largely of the cheesy postcard photos that are used to advertise high-end vacation spots, photographs that do little for me.

I’ve been traveling a good bit this year and while I wouldn’t put myself in the travel photography camp, it’s clear to me that I’m a photographer that travels. This was brought home to me when I mentioned to a friend that I was heading out to iceland and they commented on the potential for great photography. While this is true, some might argue that Iceland as a photo tour destination is now somewhat a cliche, what I’ve increasingly found is that regardless of where I go I end up taking photographs that in essence I could have taken anywhere. I’m drawn to particular things, water in the landscape, rocks, intimate landscapes and abstract details. I’m compelled to take photographs of these things, to the exclusion of perhaps more obvious grand vistas. I find that I even like particular colors or combinations of colors and will be more attuned to potential photographs with those colors than others.

Travel for me broadens the range of opportunities to find combinations of the things that I’m interested in that I haven’t seen before. What are the reasons you travel?

July 16, 2014

Why Do You Photograph?

If you’ve been following along here, in the last few weeks we’ve been digging in to identify our purpose, the big why that is the underlying reason for the choices that we make in life. A touchstone that helps guide us through difficult decisions.

Before I leave this topic for a little while I could help but ask a final question. Why do you photograph? Perhaps related is how does your photography support your big why?

Now I’m not thinking about what kind of photography, sports, documentary, editorial, fine art etc., or what you photograph but why do you do the thing that you’ve chosen to do.

There are lots of reasons that people photograph, to capture the essence of a person or a pet, to make other people feel emotion, to preserve significant moments, to create something, as a meditative practice. The list goes on.

Making the connection between your photography and your big why can help identify new photography projects, bring existing photographic projects into focus, give a sense of direction to your work and also a reason to keep going when you’re wondering is it worth it. Additionally, as we’ve discussed previously understand why helps guide your decision making and help make sense of the myriad of options you have for spend your most precious resource of all – time.

July 11, 2014

Friday Inspiration: Thomas Moran

It’s always surprising to me how there is a common thread between the things that catch my attention. I’d been looking at the work of Turner in recent weeks and in the course of that exploration read of his influence on the Hudson River School painter Thomas Moran. I was recently fortunate enough to be in a position to have access to to a couple of great books, ‘Thomas Moran: Artist of the Mountains’ by Thurman Wilkins and the National Gallery of Art book ‘Thomas Moran’ and was able to spend some more time reading about the influence of Turner on Moran’s work. The Wilkins book is quite dense and was something of a labor to get through, even though I only had time to read the sections on the intersection of Moran and Turner’s work. Moran spent time in London studying the work of Turner, learning the fundamentals of Turner’s technique such that he was able to make high-quality copies of the masterworks. This exploration of the use of light and color that began with emulating the work of Turner remained with Moran even as he developed his own distinct style.

Moran is perhaps most famous for his paintings of the american west and particularly of Yellowstone which were instrumental in making the case for the creation of Yellowstone National Park. It wasn’t these images that caught my eye but rather the ones that represented Shoshone Falls. The Shoshone falls when Moran painted them were considered to be unexplored by painters, although long recognized to be second only to Niagara Falls in magnificence. The section on the falls in the National Gallery book is particularly interesting. I was surprised to read that the painting of the falls at the top of the page was the last of his large panoramic landscapes and remained unsold at his death. My interest in the Shosone falls was piqued because it was the subject of another one of my favorite photographers Thomas Joshua Cooper. I’ve mentioned Cooper on the blog previously in a couple of posts first here and then here. His interpretation of the Shoshone falls can be seen in his book Shoshone Falls. A book that I’m going to revisit soon.

Check out the discuss of Thomas Moran’s work in the video below:

July 4, 2014

Friday Inspiration: Lisa M. Robinson

I’m at the beach this week, one of my favorite places to spend time, taking the opportunity to revisit the work of photographers, painters and printers that I particularly like.

Lisa M Robinson is one photographer whose work that I come back to from time to time. The project that I came to know her by was ‘Snowbound’. This was a five year project that had her photographing snowy landscapes from New York to Colorado, but not just snowy landscapes, landscapes that hint at a human presence. Almost a post-apocalyptic world. Unfortunately I haven’t been able to work out how to embed the videos that showcase Lisa’s work but click here to see them. Snowbound Epilogue gives you a behind the scenes look at the approach taken for the snowbound project. A book is of the work is also available on amazon.com.

Oceana, from which the image at the top of the page is taken, was the project that followed Snowbound. In this series the photographer is the human element, playing with how light and time can be incorporated into the image to give a sense of the unpredictable nature of water. Check out more of this work at Lisa’s website here.

July 2, 2014

Land Bound Mossy Rocks

I was in Iceland recently, even though my principal reason for being there was not there to take photographs I did have my camera gear with me and managed to get one photograph that I liked.

In thinking about why this worked image worked for me and so many of the others that I’ve taken in recent months have failed, I realized that I brought exactly the same way of thinking to taking the photograph above that I do when I’m shooting at the beach. I set up in the same way, used all the same gear and essentially had the same experience. Minus that is, the panic that my camera is going to get washed away with the next wave. In many ways I’ve been trying too hard. Forcing something that wasn’t working, where as this photograph was taken without thought and was essentially intuitive.

I need to get to that state more often!

June 20, 2014

Friday Inspiration: Hans Strand

I’ve been taking a look at how people have photographed Iceland in the last few weeks. One of the photographers that came up time and time again in my searching was Hans Strand. Strand is a landscape photographer based in Sweden who has a solid body of work from more than 15 visits to Iceland over the course of 20 years. His landscapes are striking. While there is a mix of the grand landscape with more intimate landscapes, I suspect that the intimate landscapes are aerial shots that abstract the landscape. His aerial work was one of the key factors that separates his work from that of others in Iceland. For those interested in workshops, Strand’s Iceland workshops often include an aerial session, something worth consideration if you want a unique perspective.

Check out the Hasselbald promo video below that gives a behind the scenes look at Hans Strand at work in Iceland, photographing an active Eyjafjallajökull, the volcano that brought air traffic in Europe to a halt for weeks.

June 13, 2014

Friday Inspiration: Carleton Watkins

I can’t remember where I first read about Carleton Watkins, perhaps it was this article in the Smithsonian magazine. For someone like me, who thought that photography started with Ansel Adams, it was something of a revelation to read about and see Watkin’s photographs of the American west and particularly of Yosemite Valley. While many of his photographs are stereograms the views of Yosemite are quite familiar. It was his series of photographs of Yosemite Valley in the 1860s that helped influence Congress’s decision to make the valley a National Park in 1864.

There’s an exhibition of Watkin’s photographs at the Cantor Arts Center at Stanford University until August 17. To find out more about the exhibition see here. Unfortunately I’m in the wrong part of the country to be able to get to the exhibition but I did get the related book and have been enjoying looking at the photographs.

Recognizing many of the views made famous through the work of Ansel Adams in the Yosemite Valley made me think about what Ansel Adams brought to the table. Perhaps not his vision but his superior control of the medium and printing abilities?

Check out the video below for more details on the exhibition at the Cantor Arts Center.

June 11, 2014

Transformations

Forgive me if I’m in danger of beating this horse to death but my recent weight-loss success has made me wonder if the same approach that I used for weight loss could be used to affect transformation in other parts or my life – personal finance and creativity/photography being just two areas of interest.

In many ways losing weight was easy – Tim Ferris had done much of the heavy lifting for me already. Tim Ferris is the author of the ‘Four Hour’ Series of books – Four hour work week, four hour body, four hour chef. The titles are super cheesy and I must admit that I read the four hour work week with a high level of skepticism. Certainly for someone like me it’s hard to imagine how I could engineer to work remotely, managers after all serve the people that report into them and so to do that job effectively you need to be available to help with whatever’s going on. In any case, Ferris’s books are case studies in learning. How to subvert the established way of doing things and get maximal results for minimal amounts of effort. Once you cut through to this central idea his books get much more interesting.

My weight loss started with the slow carb diet that Ferris describes in detail in his book Four Hour Body and which is described briefly here. I had to make some changes to make this work for me – breakfast for me has to be a quick and easy affair even the quick breakfast wasn’t fast enough and microwaved spinach made me gag. I ended up with convenience foods for breakfast (a protein shake from Biotrust) and lunch (Cliff Protein Builder Bars) and then real food for dinner. I then took the same basic diet and applied Barry Sears Zone Diet to it – 40% carbs, 30% Fats, 30% protein. This involved weighing and measuring everything that I ate to make sure I was ‘in the zone’. Finally I began a strength, metabolic conditioning and mobility program that has me moving 6 days a week.

So here’s what I did:

* Followed a template that had been previously shown to work
* Experimented with the template to find something that worked for me
* Made small changes to my behavior, worked with them for two weeks and then incorporated additional changes for the next two weeks
* Measured my progress in as many ways as I possibly could
* Engaged accountability partners that supported, cajoled and encouraged me

While there aren’t easy to follow templates for everything that I want to work on there is a remarkable amount of information available making it possible to build case studies in the way that Tim Ferris has done for whatever you’re interested in. As I continue to explore this I’ll be sure to post more here.

In the meantime – What are you working on? What transformation would you like to make but are stuck with? Have you made a successful transformation? Did you use the steps outlined above? Something different? Any key practices to share? I’d love to hear about it.

June 6, 2014

Friday Inspiration: Carl Chiarenza

I’ve been looking at work by Aaron Siskind over the last few weeks and as part of that reading came across Carl Chiarenza who wrote ‘Aaron Siskind: Pleasures and Treasures’. Chiarenza is a splendid photographer in his own right in addition to being a great teacher. Check out the video below to get an introduction to Chiarenza. Check out the additional conversations between Chiarenza and Brooks Jensen that can be found here.

A Conversation with Carl Chiarenza from Rochester Contemporary (RoCo) on Vimeo.