Tag: Japan

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Preparing for the Year Ahead

David Allen has said that the people who take to the GTD system the most avidly are those that need it the least but he notes these are the people, the high performers, that notice even the slightest amount of drag in their world that prevents them from doing as much as they feel they’re able.

Not that I would put myself in the elite high performer category but I do keep fiddling with my personal systems for deciding what I want to work on and tracking the associated tasks. I wrote about my current system here a few months ago. Since then I came across the bullet journal method outlined in the video above, and described in more detail at the bullet journal website here, which marries the GTD methodology with the agile approach perfectly for me. The whole thing may seem a little messy from the outside looking in – it’s a blend of digital and analog – but it seems to be working for me.

I think that the hallmark of any successful system is one that people adopt and modify to suit their own needs and in doing so extend it’s functionality. This is certainly true of the Bullet Journal that has it’s own community on Google+ – read what the creator, Ryder Carroll has to say about this here.

For any system to work for me I have to like the toys that it brings me in contact with. The bullet journal is no exception – lots of cool notebooks to play around with. I’ve been using the Field Notes books mostly for my bullet journal but I also have one of the awesome Japanese Midori Traveler’s Notebooks that I will be working with more in 2015. The original size is a little awkward for me – it’s too big to fit comfortably in any of my coat pockets – but the passport size is perfect. The passport sized midori notebooks are of course an odd size and the Field Notes books don’t fit perfectly inside the leather cover but the ones frin Scout notebooks do.

Check out the short video showing the flexibility of the Midori notebooks below.

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A Compelling Reason for Change: The Harujuku Moment

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While we often know that we should do something we often don’t because there’s not enough pain involved. There’s no compelling reason for change. Tim Ferris relates a story in the Four Hour Body about the moment Chad Fowler realized a need for and committed to his transformation. That it happened on the street in the Harjuku district of Tokyo gave rise to the name. Here’s how Tim Ferris describes it:

So the harajuku moment refers to very specifically a story by Chad Fowler or related to Chad Fowler. So here’s a case study in the book, kicks ass in every possible way. Professionally, he’s a computer programmer, runs a number of very famous conferences in the tech world and he was in Japan shopping for clothing with a number of friends and he was very overweight and he and one other person ended up sitting on the sidewalk and he said, “Yeah. It doesn’t matter what I buy anyway so I’m not going to look good at it”. And there’s this awkward mood of silence like, “Wow, I really just say that?” And he realized that that at point in time, how painful it was to be overweight. And that was his harajuku moment.

I had my own moment similar to that described above in December of last year. For the first time in a long time I saw the person that I had physically become rather than the mental image of who I was. That was enough to kick start the process of change for me.

What if you had an equally compelling reason that guided all of your actions, that pulled you through life? What we’re talking about here is knowing what your purpose is, what you stand for. Have you ever stopped to think about that? Or is it already clear for you?

As always thoughts and comments appreciated.

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Friday Inspiration: Naoya Hatakeyama

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I’ve been thinking in recent weeks about how photography can support environmental concerns – not a unique idea I will give you that – and some of this research led me to the work of Naoya Hatakeyama. I have not read much about Hatakeyama but it seems to me that much of his work deals with the interaction of man with the environment, how we shape and bend nature to suit our purposes. It is interesting to me to see how his projects evolve – his photographs of the limestone quarries in Japan was followed by an investigation of the factories that processed the limestone, then on to the cities that were subsequently built from the cement and then back to the sources of limestone in the underground tunnels in Paris. Something to consider as we look to extend and develop our own work. Naoya talks about this project and more in the videos below. Check them out.

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Friday Inspiration: Daido Moriyama

The gear sirens have been calling me again. I’m now deep in thought regarding what a compact camera system such as the olympus pen e-pl5 coupled with a Panasonic 20mm F1.7 would do for me. I’m sure it’s a game we all play from time to time. Somehow while I was surfing around trying to get to grips with how much better my life would be with this combination I stumbled across Daido Moriyama.

It seems to me that Daido Moriyama is ‘street’ photographer, who seems to produce much of his work in the Shinjuku area of Tokyo. The photographs are predominantly high contrast, gritty black and white images that depict the seamier parts of life. I could take or leave much of what he’s produced but I do like the aesthetic of the images and also of interest for me is his prodigious production of photography books.

Check out the video below

Daido Moriyama on compact cameras:

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Friday Inspiration: Rolf Horn

Rolf Horn‘s work caught my eye when I was recently poking around on the Soulcatcher Studio website.  I had been looking at the Paul Caponigro images that they have displayed there and decided to spend a few moments looking at the work of some of the other artists that they represent.

Rolf’s square black and white images, often long exposures, are reminiscent of the work of the other photographers that I enjoy – especially Michael Levin, David Fokos and of course Michael Kenna.  I perhaps shouldn’t have been surprised, although I was, to find that Rolf had worked as Michael Kenna’s assistant for a while.

Like Kenna, Rolf uses medium format cameras (Hassleblad) and film for his work, producing silver gelatin prints.  He is very much committed to this mode of photography, in fact if his comments regarding digital photography in this Black & White article when taken at face value are quite inflammatory – ‘thems fightin’ words’ as we would say where I grew up.  In addition the Black & White magazine feature, Rolf’s photography has been featured in a number of other magazines.  A full listing can be found here.

Rolf’s website is well worth exploring, there a large number of his completed bodies of work to dig into.  What I find interesting is that some of the portfolios date back to the early 1990’s and so as you look through it’s interesting to track Rolf’s aesthetic evolution.  His most recent work has a quiet energy that I particularly enjoy and I have to say it – his snow monkey picture (below) is one of my favorites to date.

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My 2012 To Do List

Happy New Year!

I’ve had an extended break from blogging in a vain attempt to catch-up with all of my other responsibilities and draws on my time. I’m not fully caught up but I’m back.

I know a lot of people look forward to the new year with a list of resolutions. I do something similar to that too, although my list is usually a combination of the pragmatic and the impossible. Things that I absolutely need to get done and things that only in my wildest dreams would come true. Usually there’s not a lot of stuff in the middle. In no particular order here are a few of the things from my list:

1. Publish a book of my photographs

It is becoming easier and easier to self-publish. The recent announcement of the Beta version of Lightroom 4 includes integration for Blurb. One can only imagine that a raft of self-published photobooks will ensue. Makes me think that if everyone’s going to be doing it then I’ve missed the boat but then I could say the same thing about photography too!

2. Complete the planning for a trip to Shikoku in early 2012

Shikoku sounds like an interesting place to visit. A little off the tourist path but there is a well known pilgrimage around the 88 temples here. There was an interesting article in the National Geographic Traveller about the island. Check it out here: http://travel.nationalgeographic.com/travel/countries/shikoku-japan-traveler/

3. Learn Japanese in anticipation of my Japan trip

While languages are certainly not my forte Shikoku appears to be far enough off the regular visitor trail that some Japanese could come in handy. The Rosetta Stone language immersion program looks like it would be a good way for me to get started.

4. Complete preparation for the show at RMSP gallery

An exhibition of my photographs will be up at the Rocky Mountain School of Photography gallery for 3 months starting the first week in May. Very excited about that. Please stop by and say hello if you’re in Missoula the first Friday in May.

5. Live more sustainably

I’m not much of a tree hugger but when I see things such as the albatrosses that Chris Jordan shows with his work it makes me want to be more conscious of the things I buy and how I get rid of it. Quality over quantity has to be a good thing.

Still on the sustainable living theme – the image below is taken from Azby Brown’s book ‘Just Enough Japan’ which is a look at how the Japanese in the 1600’s facing a lot of the same problems that we face to day dealt with them. Very interesting reading.

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Friday Inspiration: Michael Levin in Japan

I first came across Michael Levin‘s work last year when it was featured in George Barr‘s book – Why Photographs Work: 52 Great Images Who Made Them, What Makes Them Special and Why. Michael works in black and white using long exposures, as long as 60 minutes, to create images that have been described as ‘soulful and evocative’. Read an interview with Michael in ‘The F-Stop Magazine’ here.

The video below was shot in Japan by Brad Kremer and is a showcase for who Michael is and what his work is about.

KI: Michael Levin from Brad Kremer on Vimeo.

More videos featuring Michael’s process can be found here.