Embracing Constraints

It feels to be that I have a very delicately balanced existence.  It doesn’t take much to throw everything out of whack.  A demand for extra time in one area of my life has repercussions everywhere else, leaving me scrambling to pick up the pieces.  Of course if the kids are sick, my wife is sick or I’m sick, all of which has happened essentially continuously for the last month, chaos ensues.  All very much part of life’s rich tapestry and something to be embraced rather than to get frustrated about.  He tells himself through gritted teeth.

The ability to know what to do and when in order to be maximally effective is one of the ultimate aims of David Allen’s GTD methodology.  An updated version of the GTD book came out this week and I’m very much looking forward finishing working my way through it.  While it looks very familiar but also with enough new stuff to make it worth taking a look at.  The last full chapter deals with GTD mastery, what does it look like when you’ve got this GTD thing down?  It looks like mastery in most other fields, a freedom to add value without getting bogged down in the mundane.

While I get back to good health and back on track bear with me.  If you’ve commented here and not seen a response I apologize.  I can assure you that I read the comment and will respond soon.

 

 

Going Coastal – Blurb Book

When it comes to looking at other photographers work, books are a major resource for me. I find it easier to get catalogs of photographers shows than I do to actually get to the show. I know that I’m missing out here because scale dramatically impacts the viewers experience of the photograph. I’m trying harder to get to more exhibitions but that does little for my weakness for books.

The tools that are available to us now make book production very simple and the on demand book printing services such as Blurb, put book production within reach of ordinary mortals. With that as a back drop, I decided to put together a book/catalog to support my current exhibition at the RMSP gallery. It includes all of the photographs that are in the show and some that didn’t make the cut because of space constraints. The book is now finally available on the Blurb website. Check out the preview below.

http://www.blurb.com/books/3217027

The Future of the Book – Part 2

I continue to be interested by the possibilities that the future holds for the book.  Seth Godin had this to say recently on his Domino Project Blog:

‘Cleaning out a moldy corner of my basement, I ended up with a stack of about 400 paperback books.

Looking at each cover, I remember what was inside. Each contained a notion or an adventure or an idea. It adds up. (With some, I even remember where I was when I read them).

The magic of books, something I haven’t found in blog posts, jewel boxes, tweets or old TV Guides, is that they perfectly encapsulate an idea. They have a beginning, a middle and an end. And they have a cover, something that wraps it all together.

Maybe I’m a fogie, but I have trouble visualizing a pile (or a wallful) of Kindle ebooks. I’m going to miss that.’

I’m not sure why we have to visualize a pile of ebooks.  Seth’s Domino Project, which is an attempt to shake up the traditional publishing model is format agnostic which makes sense to me.  There are going to be people like me who enjoy the portability of eBooks but who still crave for the actual book, particularly when the book is something special.

Blurb are also evolving their idea of publishing from a traditional model

to one that is more supportive of the author in today’s environment.

The images above are from a recent article on the ‘Future of the Book Blog‘ in which Ben Clemens suggests that ‘eBooks will save the book‘ in part because ‘e-books re-focus books around their essence: words and images, assembled and carefully edited.’

I’m not sure how or why this is true because with the advent of digital it is so much easier for everyone to generate an eBook.  What is true is that exceptionally prepared eBooks, iPad apps etc. will set the bar for everyone and while it will be easy to convert pages of text into eBooks we will come to expect a high quality product.  Jim Goldstein‘s iPad photo books that he prepared for himself and for William Neill caught my eye as an example of what we might come to expect as normal, with more multimedia offerings to come.

So what about the physical artifact – the traditional book?  Is there still a place for it?  I’d like to think so – what about you?