When I first saw the work of Natalie Dybisz aka Miss Aniela a number of years ago now I was absolutely floored. At the time I was still relatively naive with regard to the possibilities of what could be created in Photoshop and had imagined that her surreal imagery were not just a product of a fertile imagination but also prodigious camera skills. The fluency with the tools is certainly there but it a solid understanding of how to shoot so that the required elements are available for the final construction in photoshop. Take a look below to see Miss Aniela at work and to hear her talk about her process.
One of the things that I continue to struggle with is ‘why do I photograph’?
There are of course many reasons to photograph, having your photography being in service of something larger is awesome, being able to tell stories with your images and to capture a moment in history is clearly important. Doug Eng is someone who does this incredibly well.
Doug is a Florida native with a background in structural engineering and software programming who works in both the natural and urban landscape. In fact some of his projects have involved bringing the natural landscape into the urban environment.
For an example of this work check out the ‘Beyond the Facade’ project where Doug installed huge prints on the east facade of the old Barnett Bank building. The behind the scenes section (click here) gives a fascinating look at how art on this scale is created and handled.
I was fortunate to recently hear Doug present his project ‘On Fertile Ground’ which captured images of the last property of his family’s truck farm providing a record of his family’s successes for future generations. I was profoundly impacted by these photographs, they made me really feel that the farm stopped while the world moved on.
I came out of Doug’s presentation thinking that everyone with a camera, which means almost all of us now, should spend some time documenting their family history.
I’ve been going back through the archives looking for images that could be used to extend exisiting projects and identify themes to be developed for new projects. It can be a nice surprise to find images that were previously overlooked, a little bit like finding money in a coat when you wear it for the first time in a long time.
One of the things that I’ve been doing while I look through my images is to set up smart collections in lightroom that will be populated when certain criteria are met. I have a simple color scheme that I use to label my photos – I mark images that I’ve worked on green, ones that are to be worked on yellow and ones to be deleted red. All the photos labeled green (the keyboard shortcut to do this on the mac is simply by pressing the number 8) will then appear in my smart collection folder ‘selects’. I’m in the process of refining this collection using keywords that will then put images into project folders – ‘coast’ captures the images at the coast that I like so much, ‘trees’ is my tree project that is slowly coming along and ‘water abstracts’ is a project that came to light as I was going through the archive. The image above is one from the water abstracts collection. A screen grab of this collection is below.
There’s definitely a ‘one of these things is not like the others’ element to this collection that I will need to resolve at some point, either by punting the offending image or building additional images into the set so that it is no longer a singleton. Having a number of clarified projects percolating in the background means that I’m sensitized to the opportunities for adding to these projects which will hopefully allow them to mature more rapidly.
How about you? Are you thinking about the images that you make in terms of projects? Any approaches, tricks, techniques or thoughts to developing projects that you want to share? I’d love to hear them